Some interesting points here. I've been to the festival with a friend almost every year it's been on since 1992, and to be honest I think there's still a lot to like about it.
The weather's bad more often than not, but it's still like a magical village that just arises out of nowhere. I love the ambience of the festival, and think the non-music acts contribute to this (circus field, alternative futures), and I think things really come alive at night. The line up is (usually!!) pretty strong, and it's an incredible chance to catch up with / discover a wide range of bands at once and not just mainstreamers you could catch anytime on the telly.
I don't generally agree with the nostalgia for the pre-fence days. The fence around 1992 wasn't very effective, and whilst some of the fence-jumpers were very likeable student-on-a-budget sorts, there was also a hard core who came to with no money and seemed to spend a lot of time robbing tents and starting fights. Some of the music press seem to have idealised the 'good old days' of the festival by suggesting that an element of violence spices up a festival and makes it somehow more 'edgy' or 'real', and I couldn't disagree more. No I don't go to the festival to get beaten up or have my stuff nicked or listen to morons who can't hold there drink having a scrap and upsetting other festival-goers. That's not radical or free, it's just stupid and ugly, and historically that sort of thing did happen more as a result of mass fence-jumps and consequent overcrowding.
The main things I think need changing at present are: slightly lower gate price (I can afford it but a lot of younger festival-goers can't), and the numbers need to be capped at around 120,000 - otherwise the site gets too overcrowded and when it rains the festival turns into a series of dense queues moving slowly across slippy metal roadways / quagmires trying to get from one stage to another.
They could also maybe cut the number of novelty acts / child entertainers. Yes, we all liked Rolf Harris, the nation's favourite uncle, but Shakin Stevens??? Gilbert O Sullivan ??? Garlic Bread??? - come on, guys, stop taking the piss - this is Glastonbury, not Butlins.
I think the Jay-Zee thing has been exaggerated, and regret the debate about whether disliking rap or R 'n' B makes someone a racist or not. I'll take a look at him out of curiosity and decide for myself: it's a perfectly valid genre of music, if not one I usually like much personally, but he may turn out to have something special so let's see. I am a bit curious that in such an eclectic festival he's been billed as a headliner on the main stage when there are about 16 other stages he could have had.
For those of you who've never been to the festival in good weather, I have to say it's a whole different experience. Main difference is you can sit or lie on the grass, and don't spend all day standing up. The difference between a wet Glastonbury and a dry one is very similar to the difference between wintre and summer: in good weather everything just becomes a lot easier and less messy.
Anyway, have a good one
Dave
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